directed by bill naud
creative film makers/srn
Apparently also known by the terribly baffling title Scared Alive, this is one baffling, terrible piece of filmmaking. Not only is the script lousy, and the acting, but it’s technically awful as well – a large portion of the movie takes place at night, in various dark locations, and is so poorly lit and filmed that it is often impossible to tell what is happening, or which characters are involved. At other times, it is also difficult to discern which characters are which for other reasons, leading to further confusion. During several onscreen conversations, I found myself wondering who the dialogue was referencing, being unable to place the name. (Since characters seemed to go unaccounted and reappear at random, this is perhaps not entirely my fault.) Probably not quite as bad as George Phblat’s infamous Benji Saves the Universe, but it’s gotta be close. The ridiculous murder-presaging song that plays incessantly throughout (it’s called “Face to Face”) is kinda catchy.
why did i watch this movie?
I will once again allow that I chose this particular film precisely because it sounded as though it could not possibly be any good at all. I have been honing this skill for many moons.
should you watch this movie?
“It’s really bad” is my final statement on that.
highlight and low point
The fact that a terrible movie features within it the making of a terrible movie might have been interesting had the creative geniuses behind the cameras the wherewithal to evince any self-awareness, but we’re plunging too far into the realm of the purely theoretical here. At least one of the murders is so preposterous and slapdash that one might reasonably suspect this whole affair to be a jape.