DIRECTED BY WILLIAM FRUET
CINEQUITY CORPORATION/CANADIAN FILM DEVELOPMENT CORPORATION
serpent’s theme composed & performed by tangerine dream
For those unfamiliar with the Oliver Reed performance model, particularly in a lurid monster-shouter such as this, picture a brawny, English roughneck version of Wm. Shatner … who happens to be out of his goddamn mind. Reed brings such an intense and palpably amok sense of hyperreality to affairs of the silver screen that I daresay it can buoy even the flimsiest of vessels. (I understand some folks feel much the same about Nicolas Cage.) So pairing that factor with this story about a giant friggin’ serpent that may be a servant of Hell sounds truly special. Unfortunately, this mediocre B-movie can’t deliver on that promise, mainly because as ludicrous as things get, the production team never really casts off the ropes. They also rush through the falling action here, shrugging aside some fanciful notions, haphazardly tossing in unexplained phenomena, and entirely dispensing with an actual conclusion. The supposedly monstrous serpent is good for a laugh when finally shown in its full … glory.
WHY DID I WATCH THIS MOVIE?
I would have watched it regardless, given its astounding nomenclature, but with O. Reed heading the cast there was no question.
SHOUlD YOU WATCH THIS MOVIE?
If you wish to see killings happening, in B&W, through the vision of a man with a telepathic link to a giant snake (instead of, say, that of Laura Mars), sure. As noted, however, this film does not live up to its potential. The credit “Based on the novel by Michael Maryk & Brent Monahan” certainly must lend one some hope, though.
HIGHLIGHT AND LOW POINT
(To the police chief) “I woulda thought you’d seen everything by now.”
(The chief) “Hm. Monsters from Hell is something new.”
RATING FROM OUTER SPACE: C−