directed by merian c. cooper & ernest B. Schoedsack
an rko radio picture
I don’t think I’d ever considered this a “horror film” before, but viewing it now, I suppose I can’t think of a more apt genre to which one might consign it. And since the first time I saw it was at a grand old Theater near the house in which I grew up, on the BIG screen, it would have been impossible for me to note the parallels to, say, Jurassic Park, which was around 15 years in the future, or to be reminded of Aguirre: The Wrath of God, because I wouldn’t have seen that for at least a good 20 years. Sure, the big monkey isn’t terribly convincing nowadays, through jaded modern eyes, but it doesn’t strike me as much worse than most CGI, although reminding me of Rankin/Bass productions isn’t necessarily a positive. Given when it was made, it’s pretty astounding, if unintentionally funny at times. It also had me musing about pre-Hays Code Hollywood, for whatever that’s worth – so if nothing else, it was certainly thought-provoking.
why did i watch this movie?
This baby is no. 5 in Johnny Ramone‘s top 10.
should you watch this movie?
I haven’t seen the 2005 version helmed by Peter Jackson, but of course I’ve seen the 1976 Dino De Laurentiis extravaganza … and I avidly saw last year’s largely unnecessary Kong: Skull Island, which I did not until this moment realize was a “reboot.” Uh … how many have YOU seen.
highlight and low point
Carl Denham’s identification of the Stegosaurus the crew encounters on Skull Mountain’s island: “Something from the dinosaur family.” As the crowd awaits the unveiling of Denham’s spectacle, a remark: “Better be worth it after all the ballyhoo.”
(Two tickets cost TWENTY dollars – almost $400 now.) The big ape dies, you know, which isn’t too cool.