directed by tobe hooper
vortex, inc.
To paraphrase Chuck Eddy on Motörhead, “If you don’t know by now, you’re sure as hell not going to learn from me.” That’s more or less how I feel about this devastating picture, which retains its deeply unsettling effect with every viewing. No, it’ll never be the way it was the first time, when it felt the way a nightmare does – everything confounding, elements changing without rhythm or reason, with no apparent end to the confusion and tension – but it doesn’t need to be. This movie still gets my vote for terror champion of all time. Tobe Hooper never came close to matching it, but you don’t catch lightning in a bottle more than once.
why did i watch this movie?
It’s a personal favorite, but this time I watched it because Johnny Ramone ranks it third on his list. Only third, John? (Johnny also thought that “loud guitars” were what made the Ramones great, so … )
should you watch this movie?
Of course, but again, I’m a bit biased. Not only is this the pinnacle of horror in my opinion, it’s also one of my three favorite movies of any sort. (Trivia! The other two are Fargo and Repo Man.)
highlight and low point
The moment when film audiences first meet Leatherface is one of the greatest moments in scare cinema, and Sally and Pam variously exploring different rooms of the house are highly disturbing moments, but the scene that begins as Sally seeks refuge in Drayton’s gas station barbecue outpost does it for me every time. Some of the vaguely suggested parallels between the teens and the family of killers are never explored, and Sally escaping the remote farmhouse twice in the same manner might be a bit questionable (although the first time is astonishing).