Dracula’s Dog aka Zoltan, Hound of Dracula aka El perro de Satán (1977)

directed by albert band
vic cinema productions

So, “Dracula” as the world knows him doesn’t really appear in this movie – but an “Igor Dracula” does, along with one last descendant, a modern family man named “Michael Drake.” The story, such as it is, is a cockamamie concoction about a canine that I. Dracula long ago enlisted for some reason or another, along with its former owner – this picture’s Renfield, essentially – a quasi-vampire that can wander around in the daylight to do his bidding. Here, having been revived and in need of a master, these servants want to deliver M. Drake to his legacy. (Did you know that if you remove the stake from the heart of a vampire or near-vampire in its coffin, it comes back to, uh, “life”? I didn’t.) I cannot possibly convince you how preposterous this film is. I would like to point out, however, that relying on dogs to be your lead actors is not the world’s greatest idea.


why did i watch this movie?

A “Dracula” flick without Dracula, but with his … dog …

should you watch this movie?

It will certainly make you laugh – though it’s debatable what kind of laughter it will provoke – but unless you really want to see how NOT to make a movie, it’s not worth it.

highlight and low point

I did mention that this pic relies on dogs to carry a lot of the action, right? Zoltan himself dismantles the roof of a cabin at one point while his comrades compromise the walls. The overdubbed dog noises are also pretty special – barking, howling, growling, you name it. Nothing, however, tops the experience of repeated shots of loyal servant “Smit” staring idiotically into the camera while a voiceover intones “ZOLTAN.”
The family RV interlude comes close, though.

rating from outer space: n⁄a

adorable vampire puppy!

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