produced and directed by s. f. brownrigg
camera 2 productions/century studios
A slowly creeping, thoroughly Seventies sense of the dramatic infuses this tale of mysterious goings-on in a shabby private sanitarium, and although that setup veritably screams “overacting,” the mostly unknown thespians gathered here generally do a pretty good job portraying their variously afflicted characters. Of course, as the action gains momentum, masks begin to slip, until eventually psychoses are on full florid display. Even if one is unaware of the secrets that eventually will be revealed, after just beyond the halfway point the production doesn’t even bother to feign much interest in keeping mum, and from there it’s more or less a matter of seeing how things will be resolved. An unexpected finale may raise some eyebrows, and the final scene is much more poignant than any of the proceedings may have led one to expect.
why did i watch this movie?
It’s a “classic,” is it not? Well, in any case, I’d been hearing about it for as long as I can remember, as it’s one of my brother’s faves.
should you watch this movie?
Didn’t I just say it’s a “classic”? Really, it suggests the transition between a more old-fashioned sense of the horror film and the newer aesthetic to come.
highlight and low point
The first half or so of this picture mainly concentrates on the doings of several of the patients at the hospital, as well as newly arrived Nurse Charlotte’s attempts to get her bearings, and doesn’t suggest a whole lot of structure … although this proves to be purposive, of course. That it overcomes its dubious opening scenes and builds up enough momentum to be affecting is no small feat. Which characters are being referenced is sometimes difficult to decipher.