Mercy Black (2019)

written and directed by owen egerton

Oh, for crying out loud … here we go again with this bushwah. I try really hard not to sound like a broken record in these pages, which is sometimes a chore, but I may have no choice this time. What we have here is a spook film with a checklist, making sure it gives audiences exactly what they’ve already gotten so many times before – albeit one that for a brief, barely glimpsed moment has a fleeting chance to offer something different, to head somewhere that might be more than routine. But it doesn’t do that; at right about that same moment, it dives into the usual trough. Then it throws the ol’ SHOCKING reveal at you before copping out completely. Refusing to commit to any of its conceits, this Netflix offering exemplifies the perhaps apocryphal adage “when you come to a fork in the road, take it.” Dissatisfying at best.

why did i watch this movie?

Uh, yeah … I must have been asleep at the switch, because the description that accompanies this flick really doesn’t sound all that stimulating.

should you watch this movie?

It’s a blatant recasting of the 2014 “Slender Man” stabbing from Wisconsin, and it really isn’t worth your time.

highlight and low point

Maybe the most polite way I could put it is to posit that at no point in this parade of platitudinous pusillanimity do events rise above or plummet beneath a plateau. (That is, it may be tired and unimaginative throughout, but hey, at least it’s consistent.) Everything that could be worthwhile about this experience lies solely within your ability to imagine it, which, mirabile dictu, happens to align with one of this picture’s insufficiently addressed themes. It is also directed clumsily.

rating from outer space: D

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