Written and Directed by Richard Martin
“©1989 D Slayer Productions inc.”
Produced With the Participation of Téléfilm Canada
Produced in Association with B.C. Film
A Canadian made-for-TV picture about the aftermath of a mysterious murder at a horror-film festival and the threatening goings-on when a similar festival is attempted three years later, complete with a visit from a hotshot local-boy-done-good director and its impact on his estranged daughter and ex-wife, this is essentially an insanely melodramatic soap opera with some largely implied killings and an extremely low-key manner. For all that, it made for surprisingly compelling viewing, at least until it became obvious who the perpetrator must be and devolved into the requisite finale of stalking quarry through murk. Needed more montage scenes with anthemic accompaniment.
Why Did I Watch This Movie?
It was in my “to watch” folder, and I didn’t have the foggiest notion what it was, although I knew it was a fairly recent addition. Once I started it, I just stuck with it.
Should You Watch This Movie?
Probably not? It’s more a somnolent (and lengthy) episode of any random crime drama than a proper motion picture, much less a scary one.
Highlight and Low Point
As is not uncommon with these sorts of affairs, the film festival(s) screen a number of faux flicks, of which we get to see glimpses. In this one, those titles are “Murder Camp,” “No Escape,” “The Sleepwalker,” “Bad Blood II” and “The Black Closet” … all of which would probably have been more entertaining than “Midnight Matinee.” William B. Davis plays director/guest/dad Heath Harris, and eventually I realized he was “Cancer Man” from The X Files. A pointless subplot about the intertwined pasts of “Detective Al Jason” and newspaper reporter “Geoff Oslam” is never explained or resolved.