Halloween II (1981)

directed by rick rosenthal
dino de laurentiis corporation

One of those movies where I recognize certain scenes but don’t remember much else besides, this once-and-future sequel – for now, it’s been written out of the canon – is mainly notable for introducing Michael M. to the cinematic world of the bored spree killer who begins to get creative in his methods of destruction, along with its clumsy attempt to hang some sort of meaningful framework onto a story better left unexplained. And no, I don’t mean the “Laurie’s his sister” angle, I mean that “Samhain” silliness, a direction which of course reached its apogee in “Season of the Witch.” It’s good enough, I guess – but strictly as a sequel, as its formulaic nature probably wouldn’t have sustained it as a standalone. Not that thousands of its ilk haven’t been churned out anyway, of course. I will give it some credit for taking place immediately following the events of the first feature, as a continuation of the same story; that’s pretty crafty.

why did i watch this movie?

A) it’s the last week of October
B) see the first sentence of the lede

Should you watch this movie?

Dude, it’s not canon. You’re waiting breathlessly for Halloween Kills, correct?

highlight and low point

Though it’s something of a staple in this genre, Mike’s experimentation with different approaches to killing becomes sublimely absurd. Messing with the thermostat? Man, in my house growing up, that’d GET a guy killed, not prove lethal to others. One of his means of dispatch doesn’t even seem as though it’d work! An empty syringe to the temple, quickly in and out? Pshaw. Not to mention, subtleties of slaughter and the aforementioned nod to the rites of sacrificial hoo-haw kinda undermine the big guy’s mythos.

rating from outer space: C

Two Heads Creek (2019)

directed by jesse o’brien
dicentium films/hummingbird films/storm vision entertainment

You know, it’s hard to make a good comedy, and it’s at least equally as hard to make a good horror picture, so you’d have to imagine that the odds of producing a good horror-comedy (comedy horror?) aren’t very good. Now, the snarky side of me wants to add, “And neither is this film!” but that wouldn’t be entirely fair, or accurate. It’s … all right. Weighing more heavily on the “comedy” side of the ledger, this likable Australian feature throws a few new twists into a perhaps hackneyed setup. Siblings head Down Under to find The Truth about their lineage (didn’t we just DO this?), only to discover drama, intrigue, bloody gore – you know the drill. One of which tools isn’t involved, to the best of my recollection. Mostly fun, occasionally delightful, nothing too important.

why did i watch this movie?

Took a chance on the trailer and thought it promised madcap fun such as I’ve enjoyed from some other pictures from the Southern Hemisphere.


should you watch this movie?

Yeah, you know, sometimes a light and frothy offering isn’t a bad call.


highlight and low point

I watched this just after having found out that AC/DC have a “new” record coming out, and I’m not going to say that didn’t influence my choice. The soundtrack to this extravaganza features a couple bands I only know about from reading books about Australia’s heaviest musical export – Skyhooks and Sherbet. (The Skyhooks tune, “Horror Movie,” briefly invokes the ol’ Richard O’Brien spirit.) The running gag about “Australia Day” and so forth may be funnier to non-Americans, there’s a somewhat subtle jab at the United Kingdom’s “populist” backlash, and the two main characters are allegedly Polish. I can sympathize.

rating from outer space: C+