directed by George waggner
universal pictures company inc.
Not only is this movie not frightening in the least, this reviewer has no idea how or why it has been lauded through the decades as even a competent endeavor, much less an estimable one. Did I say “not frightening”? It’s completely ridiculous, helped in no way by the laughable attempt at dramatics presented by Lon Chaney, Jr. Let me emphasize the generational suffix; this is not the lauded “Man of a Thousand Faces,” it’s his son, who benefits from this picture’s dime-store makeup disguising his general inability to act naturally. Also not helping: the entire film is very obviously shot on the studio lot. Additionally, it’s dismaying to be treated to no shots of Larry Talbot’s transformations. (Those scenes take place in the various sequels.) A “B” picture through and through, presented such that even the underlying existential crisis isn’t at all provocative.
why did i watch this movie?
The Wolf Man is number eight in Johnny Ramone’s top 10.
should you watch this movie?
When we were small children, my older brother and I played with this ancient “Monster” Old Maid set
and I always gravitated toward the Wolf Man card.
Do you feel similar nostalgic twinges, I wonder. Maybe you’re a budding film historian. Or a Ramones fan.
highlight and low point
The sets are admittedly impressive. Indeed, it’s hard for me to conceive of how much work and preparation went into this two-month shoot, especially when the script itself is so slipshod. For a running time of barely an hour and 10 minutes, certain lines of dialogue are repeated an astonishing number of times. Endearing touches include some of the el cheapo effects and sly, sardonic details bordering on the self-referential, such as this one: