directed by alastair reid
yongestreet productions/tacitus productions
Based on a novel with the unwieldy and unpromising title of “Nest in a Fallen Tree,” with a screenplay by Roald Dahl and starring his wife, this tale of suspense is very British, a study of drawing-room manners for the most part. Oh, but there’s a twist! Here we have a festering sense of resentment within the familial relationship that anchors the picture, a kinship upset and altered by the arrival of a young stranger. Now, some of what then occurs is basic dark British fodder; murders are perpetrated, suspicions are raised, and the village folk get to enjoy more of their favorite pastime (gossip, of course). Later, though, a murkier and more disturbing subplot develops, emotions are exploded, and the setting abruptly shifts entirely. An ambiguous ending completes the affair, which manages to entertain despite its lack of sensationalism.
why did i watch this movie?
I needed to balance out the recent spate of ’90s flicks – and I’ve lately covered a bunch of modern productions as well – so I sought a picture from the seventies, and this was the one I found.
should you watch this movie?
This is the sort of film that TV stations used to show on lazy weekend afternoons, as very little of it is at all lurid. It’s good, if understated, and definitely of a different era.
highlight and low point
The action takes off when a mysterious young man named “Billy” enters the tale, and I think we can all agree that’s a momentous circumstance. Actually, though, some displays of splendid acting, mainly concerning liminal expressions of emotion, are what impress most. Oddly, it appears this was an edited version of the movie, but I’m not sure any other rendition is readily available.