directed by lee cronin
bankside films/savage productions/head gear films/wrong men north/bord scannÁn na hÉireann (irish film board)
Seeming like folklore – almost literally an old wives’ tale – this slowly building story of maternal fear couldn’t help but remind me of 2014’s The Babadook, although the threat here apparently arises more from within than from a mythological creature. Truth be told, it also evoked vague thoughts of multiple other flicks, though I think that may be mainly because it works upon classical sources for our deepest horrors. Or something. Although the picture’s pretty engrossing, it does have holes almost as big as the one responsible for the title, even if some of them may not occur to you until after the fact. Largely psychological and atmospheric, it ultimately lacks for quite enough heft. Building a mystery is all well and good, but leaving some paths to trail off completely feels like misdirection, and results in the film’s resolution feeling unfounded.
why did i watch this movie?
This was the other film that made the cut after my perusal of the questionable streaming site mentioned in my review of 30 Miles From Nowhere. It’s another Irish production, which swayed me.
should you watch this movie?
It’s not as though it’s a total waste of time, but it needed a little bit more to recommend it, and it might feel kind of derivative, to boot.
highlight and low point
The extremely low-key manner in which Seána Kerslake’s Sarah deduces the truth about her son almost escaped my attention entirely, which makes it rather magnificently understated. A little too much goes unexplored or undeveloped, though, and when Sarah decides to get to the bottom of things – perhaps a little too literally – the pic reaches a nadir – perhaps a little too literally – from which it barely recovers.
rating from outer space: c−