Invitation to Hell (1984)

directed by wes craven
moonlight productions, II

I don’t think I realized this was a made-for-TV picture when I opted to watch it, and I’m kinda glad, as that’s where a lot of what passes for its charm resides. Well, that and the oh-so-’80s themes and vibe, from its stars (Robert Urich! Soleil Moon Frye!) to its heavy-handed insistence on conformity and social climbing – “The last 10 years haven’t been easy on us, Matt … and I want a piece of the pie” – and let’s not overlook that it’s centered around a company called “Micro-Digitech” and a mysteriously affiliated country club. It couldn’t have been more of the moment. Unfortunately, aside from its high kitsch quotient, this flick doesn’t have a whole lot going for it. Nothing about it will surprise you, and it probably could’ve done with less content restriction than primetime viewing would allow.

note: NOT product placement

why did i watch this movie?

By now you probably know the answer to that question.

should you watch this movie?

Though it’s the kind of thing that should’ve just been sealed in a time capsule, not used for actual entertainment purposes, this production is rather amusing, if quite lightweight.

highlight and low point

For a forgettable and mostly ridiculous period piece, it must be noted that taken piecemeal it offers high value. From Susan Lucci’s vampy society hostess to Kevin McCarthy’s telling inclusion, there’s a lot of fun to be had here. (I particularly enjoyed that the location of the veterinarian’s home business was highly reminiscent of that of the Devil Dog kennels, much as the Winslow family’s house appears to be located in the same neighborhood.) The ludicrously rudimentary FX leading into the finale would have to be seen to be believed.

Rating from outer space: C−

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