The New York Ripper aka Lo squartatore di New York (1982)

directed by lucio fulci
fulvia film s.r.l.

“The violence here is ugly, demeaning and frightfully pathological,” the author proclaims, adding that the film “features long, lingering and loving shots of gratuitous sex, nudity and horrific violence.” He further contends that the picture is “reviled for its rampant misogyny, unspeakably deranged mutilation of women; and its duck-voiced, interminably quacking psychokiller” and “remains a hollow, forced, uninspired effort that very few have rallied to support.”

Well, sure, you think, but everyone’s a critic, and you crane your neck to see the title … and discover that those quotes are taken from the 1996 book Lucio Fulci: Beyond the Gates – A Tribute to the Maestro by Chas Balun.

I don’t have much to add, but allow me to correct a misspelling from Mr. Balun’s tome: when describing the scene with the prostitute and the razor blade and the eye and the nipple, the erstwhile scribe meant to write “bisected.”

why did i watch this movie?

Its notoriety, I guess. I also kept running across it while looking for blog fodder, so I figured I might as well just get it over with already.

should you watch this movie?

I suppose it depends on just how much you want to see that bisection alluded to up above. Trust me, you can live happily without hearing the maniacally quacking killer.

highlight and low point

The sheer overkill of most of the slashing, which favors closeups for emphasis, is kind of breathtaking in its appalling level of sadism. Also often filmed in extreme closeup: Yes, people’s eyes, the both of ’em. Five, six times, at least. The “psychological insights” are probably some sort of attempt to lend this picture a feeble justification for its existence, to no avail. The anachronistic music’s pretty groovy.

rating from outer space: F

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