Directed by Bruce Hunt
Lakeshore Entertainment/City Productions/Cineblue
Trying to decide how to introduce this silly wannabe-blockbuster action thriller, I realized I should just state the facts: I decided to watch The Cave precisely because I knew what I could expect to get from the experience. See, I was in the mood for a fair-to-middling production with a “Hollywood” feel, by which I mean an affair so divorced from any actual identifiable reality that its viewer can just comfortably settle in with the stock setup and characters, and soak up the stupid. Striving for mediocrity, The Cave did its job admirably – perhaps too much so, as it barely recovered production costs after factoring in global revenues.
Now, when I try to describe what I had been seeking, let me allow Wikipedia to contribute its description of the cast of characters: “thrill seeking professional cave explorers who run a world famous scuba diving team” (sic). Set in Romania, under an ancient church, the Knights Templar … nah, never mind that, the script barely bothers anyway. Concentrate instead on the mysterious “parasite” that transforms its host into some sorta Species. Because ultimately what this flick brought to mind was the 1995 movie with that as its title.
Why Did I Watch This Movie?
I wasn’t in the mood for Halloween Ends.
Should You Watch This Movie?
Much as I once compared a clumsy example of an ’80s teen-kill picture to comfort food, I’d halfheartedly endorse this vehicle of dunderhead escapism … if it were, say, as good as The Descent.
HIghlight and Low Point
I found the creatures inhabiting THE cave to be prosaic, at least once they were fully visible. I would also quibble with the biological processes allegedly on display, but I’d like to retain a shred of dignity.
Rating From Outer Space: c−
directed by thierry notz
The kind of picture wherein a lot of the action takes place inside massive “air vents,” this absolutely marvelous archetypal B movie was produced by none other than Roger Corman, and it gloriously suggests any number of ’50s and ’60s drive-in wonders. From the minimal casting to the plastic-fantastic sets, this SF horror pic pulls out all the stops. You got your overly obvious dialogue, you got your laughable rubber creature suit, you got your broadly drawn characters, you got your … dog. The tale of mankind’s last few (?) survivors after an unspecified disaster, besieged by mutants apparently spawned by … well, never mind making any sense of that, why bother. Terrific fun, couldn’t ask for anything more.
why did i watch this movie?
This has to have been a result of looking for more George Kennedy vehicles, I’d imagine. You may have noticed I’m a big fan of those. (Someday, you’ll understand.)
should you watch this movie?
Not if you dislike having a good time.
highlight and low point
Virtually everything about the set design is simply magnificent. The research station or whatever it is has a staff of six, yet the elevators are boldly designated with signage. They’re monitoring life outside and doing complicated experiments inside, yet when they need to reproduce sound, they have to resort to using a reel-to-reel recorder. They have banks of complicated computer equipment, but their video feed and lights constantly malfunction. And they’ve got a bitchin’ logo for some reason. Also, this is the only SF horror pic I can think of that might inspire abortion debates, as it’s the only one I can think of offhand that features a self-induced rejection of an alien-hybrid fetus. (Trust me, that’s not a spoiler.)
rating from outer space: “B” (of course)